Adobe Media Encoder CC 2019 13.0.2.39 (x64) Multilingual Pre-Act 64 Bit: How to Encode Any Media File with Ease and Quality
Adobe Media Encoder CC 2019 13.0.2.39 (x64) Multilingual Pre-Act 64 Bit: A Comprehensive Review
If you are looking for a powerful and versatile media encoding software that can handle any format you can imagine, you might want to check out Adobe Media Encoder CC 2019. This program allows you to ingest, transcode, create proxies, and output media files for various applications and audiences. It also integrates seamlessly with Adobe Premiere Pro CC, After Effects CC, and other applications, providing a smooth media processing workflow.
Adobe Media Encoder CC 2019 13.0.2.39 (x64) Multilingual Pre-Act 64 Bit
In this article, we will review Adobe Media Encoder CC 2019 13.0.2.39 (x64) Multilingual Pre-Act 64 Bit, which is the latest version of the program as of June 2023. We will cover its features and benefits, how to install and activate it, how to use it, its pros and cons, and how it compares with other media encoding software. By the end of this article, you will have a clear idea of whether Adobe Media Encoder CC 2019 is the right choice for you.
What is Adobe Media Encoder CC 2019?
Adobe Media Encoder CC 2019 is an encoding program that allows you to encode audio and video files into various distribution formats for different applications and audiences. Such video and audio formats are characterized by an increased degree of compression, which reduces the file size and improves the playback quality.
Using this program, you can export video to formats supported by various devices, from DVD players and websites to mobile phones, portable media players, and standard and high-definition TVs. You can also export audio to formats such as MP3, AAC, WAV, AIFF, OGG, WMA, TTA, TTS, etc.
It is also important that Adobe Media Encoder CC 2019 allows you to process several video and audio clips in batch mode; in environments where video is a significant part of the content, batch processing speeds up the workflow. During the encoding of video files, the program can add, reorder, and change the parameters for encoding files in the batch queue.
Adobe Media Encoder CC 2019 supports a variety of video export formats, depending on the Adobe applications installed with this program. In particular, it is the core of coding for Adobe Premiere Pro CC, Adobe After Effects CC, and Adobe Prelude CC. However, the program can also be used as a standalone coding tool.
Features and benefits of Adobe Media Encoder CC 2019
Some of the features and benefits of Adobe Media Encoder CC 2019 are:
Select a channel when publishing on YouTube and Vimeo
Select a playlist when publishing on YouTube
Select a page when publishing on Facebook
Add your own title when publishing on YouTube, Facebook, and Vimeo
Add your own thumbnail of the video when publishing on YouTube
Notify viewers when publishing on YouTube and Vimeo
Specify the image size and quality when publishing on Twitter
Choose whether to publish a copy of the video or an adaptive link when publishing on Behance
Support for color profiles from After Effects sources
Automatically relink assets when importing a sequence
Option to maintain playback in Premiere Pro while rendering in Media Encoder
Streamlined bit depth and alpha channel settings (QuickTime only)
Export support for ambisonic audio (H.264 only)
Support for Hybrid LOG Gamma (HLG)
Support for HDR in HEVC (H.265) export
Export support for Panasonic AVC-Long GOP Op1b
Ingest and transcoding functionality
Media Browser panel
Destination Publish to Adobe Stock Contributor
Support for Adobe Team Projects
Support for Sony Venice camera formats
Support for Google VR180 format
Support for HEIF (HEIC) still image format on macOS
Expanded support for hardware acceleration on macOS
Support for 8K H.264 export
Improved RED camera format decoding
Improved Sony RAW/X-OCN camera format decoding
Hardware-accelerated HEVC encoding on Windows 10 with 7th Generation (or later) Intel Core processors and Intel Graphics enabled
Hardware-accelerated H.264 encoding on Windows 10 with 6th Generation (or later) Intel Core processors and Intel Graphics enabled
Hardware-accelerated H.264 and HEVC encoding on Mac OS 10.13 systems with supported hardware
Support for importing Canon C200 camera formats
Support for importing Sony Venice camera formats
RED camera Image Processing Pipeline [IPP2] support
Destination Publishing support for new Twitter 280-character limit
Playlist selection when publishing to YouTube
Page selection when publishing to Facebook
Add custom titles when publishing to YouTube, Facebook, or Vimeo
Add custom video thumbnails when publishing to YouTube
Notification for missing items in queue before encoding
H.264 adaptive bitrate presets automatically choose best output bitrate based on source frame size and frame rate
Animated GIF export on macOS and Windows
Time Tuner effect improvements
Newly optimized list of H.264 presets
Format support for RF64 WAV Decode/Encode, decode for Sony X-OCN, and QuickTime DNx Smart Rendering
Warning when importing non-native QuickTime sources[/li] Timecode modification for 720p 59.94 media[/ul] All these features and benefits make Adobe Media Encoder CC 2019 a powerful and versatile media encoding software that can meet your needs and expectations.
How to install and activate Adobe Media Encoder CC 2019
To install and activate Adobe Media Encoder CC 2019, you need to follow these steps:
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li>Download the program from the official website or a trusted source.
Extract the zip file using WinRAR or WinZip or by default Windows command.
Open the installer and accept the terms and conditions.
Select the destination folder where you want to install the program.
Click on the install button and wait for the installation process to complete.
Congratulations! You have successfully installed Adobe Media Encoder CC 2019.
To activate the program, you need to copy the crack file from the crack folder and paste it into the installation directory.
You can also use the patch file or the keygen file to generate a serial key and enter it in the activation window.
You have now activated Adobe Media Encoder CC 2019 and can enjoy its full features.
Note: You may need to disable your antivirus or firewall before installing or activating the program, as they may interfere with the process. You may also need to run the program as an administrator.
How to use Adobe Media Encoder CC 2019
To use Adobe Media Encoder CC 2019, you need to learn how to import and export media files, how to adjust encoding settings and presets, how to create proxies and output formats, and how to work with Adobe Premiere Pro CC, After Effects CC, and other applications. Here are some tips and tricks on how to use Adobe Media Encoder CC 2019 effectively and efficiently.
How to import and export media files
To import media files into Adobe Media Encoder CC 2019, you can use one of the following methods:
Drag and drop the media files from your computer or a network location into the queue panel.
Click the Add Source button in the queue panel and browse to the media files you want to import.
Choose File > Add Source and browse to the media files you want to import.
Choose File > Import and browse to a Premiere Pro project, an After Effects composition, or a Prelude rough cut that contains the media files you want to import.
Right-click on a Premiere Pro project, an After Effects composition, or a Prelude rough cut in the Media Browser panel and choose Import.
To export media files from Adobe Media Encoder CC 2019, you can use one of the following methods:
Select the media files in the queue panel and click the Start Queue button to start encoding them with the selected settings and presets.
Select the media files in the queue panel and choose File > Export > Export As to export them as individual files with the selected settings and presets.
Select the media files in the queue panel and choose File > Export > Export As Premiere Pro Project to export them as a Premiere Pro project with the selected settings and presets.
Select the media files in the queue panel and choose File > Export > Export As After Effects Composition to export them as an After Effects composition with the selected settings and presets.
Select the media files in the queue panel and choose File > Export > Export As Prelude Rough Cut to export them as a Prelude rough cut with the selected settings and presets.
You can also choose to publish your media files to various online platforms, such as YouTube, Vimeo, Facebook, Twitter, Behance, Adobe Stock, etc. To do this, you need to select the media files in the queue panel, click on the Publish tab in the encoding settings panel, and check the boxes for the platforms you want to publish to. You can also customize your publishing options, such as title, description, tags, privacy, etc. for each platform.
How to adjust encoding settings and presets
To adjust encoding settings and presets for your media files, you need to use the encoding settings panel, which is located on the right side of the queue panel. You can select a preset from the Preset Browser or create your own custom preset. You can also modify various parameters for your encoding settings, such as format, codec, resolution, frame rate, bitrate, audio channels, etc. You can also apply effects, such as time tuner, image overlay, timecode overlay, etc. to your media files.
To create a custom preset, you need to follow these steps:
Select a media file in the queue panel and choose a format from the Format menu in the encoding settings panel.
Choose a codec from the Preset menu or click on Match Source to match the source settings of your media file.
Adjust any other parameters you want for your encoding settings.
Click on Save Preset button at the bottom of the encoding settings panel.
Name your preset and choose a category for it.
Click OK to save your preset.
You can now use your custom preset for any other media file by selecting it from the Preset Browser or by dragging and dropping it onto a media file in the queue panel.
How to create proxies and output formats
A proxy is a low-resolution version of a high-resolution media file that can be used for faster editing and previewing. An output format is a high-resolution version of a media file that can be used for final delivery or distribution. Adobe Media Encoder CC 2019 allows you to create both proxies and output formats for your media files easily and quickly.
To create proxies for your media files, you need to follow these steps:
Select one or more media files in the queue panel and right-click on them.
Choose Proxy > Create Proxies from the context menu.
In the Create Proxies dialog box, choose a preset for your proxies from the Preset menu. You can also choose to add the proxies to the same location as the original media files or to a custom location.
Click OK to start creating proxies for your media files.
You can now use the proxies for editing and previewing in Premiere Pro CC or other applications. You can also toggle between the proxies and the original media files by clicking on the Toggle Proxies button in the Program Monitor or the Source Monitor in Premiere Pro CC.
To create output formats for your media files, you need to follow these steps:
Select one or more media files in the queue panel and right-click on them.
Choose Output Format > Create Output Formats from the context menu.
In the Create Output Formats dialog box, choose a format and a preset for your output formats from the Format menu and the Preset menu. You can also choose to add the output formats to the same location as the original media files or to a custom location.
Click OK to start creating output formats for your media files.
You can now use the output formats for final delivery or distribution to various platforms and audiences. You can also preview the output formats by double-clicking on them in the queue panel.
How to work with Adobe Premiere Pro CC, After Effects CC, and other applications
One of the advantages of Adobe Media Encoder CC 2019 is that it integrates seamlessly with Adobe Premiere Pro CC, After Effects CC, and other applications, providing a smooth media processing workflow. You can send media files from these applications to Adobe Media Encoder CC 2019 for encoding, or import media files from Adobe Media Encoder CC 2019 into these applications for editing.
To send media files from Premiere Pro CC or After Effects CC to Adobe Media Encoder CC 2019, you need to follow these steps:
In Premiere Pro CC or After Effects CC, select one or more sequences, compositions, or clips that you want to encode.
Choose File > Export > Media (Ctrl+M) to open the Export Settings dialog box.
In the Export Settings dialog box, choose a format and a preset for your media files from the Format menu and the Preset menu. You can also adjust any other parameters you want for your encoding settings.
Click on Queue to send your media files to Adobe Media Encoder CC 2019. The program will launch automatically if it is not already running.
In Adobe Media Encoder CC 2019, you can see your media files in the queue panel. You can also modify their encoding settings and presets if you want.
Click on Start Queue to start encoding your media files with the selected settings and presets.
To import media files from Adobe Media Encoder CC 2019 into Premiere Pro CC or After Effects CC, you need to follow these steps:
In Adobe Media Encoder CC 2019, select one or more encoded media files in the queue panel that you want to import.
Right-click on them and choose Import Into Premiere Pro or Import Into After Effects from the context menu. The program will launch automatically if it is not already running.
In Premiere Pro CC or After Effects CC, you can see your imported media files in the project panel. You can also drag and drop them into a sequence or a composition for editing.
You can also use Adobe Media Encoder CC 2019 with other applications, such as Adobe Audition CC, Adobe Photoshop CC, Adobe Illustrator CC, etc. by importing or exporting media files using the File menu or the Media Browser panel.
Pros and cons of Adobe Media Encoder CC 2019
Like any software, Adobe Media Encoder CC 2019 has its pros and cons. Here are some of them:
Pros of Adobe Media Encoder CC 2019
It supports a wide range of video and audio formats for encoding and decoding.
It allows you to create proxies and output formats for faster editing and delivery.
It integrates seamlessly with Adobe Premiere Pro CC, After Effects CC, and other applications, providing a smooth media processing workflow.
It allows you to publish your media files to various online platforms, such as YouTube, Vimeo, Facebook, Twitter, Behance, Adobe Stock, etc. with ease.
It has a user-friendly interface and a flexible customization option.
It has a batch processing feature that allows you to encode multiple media files at once.
It has a time tuner effect that allows you to adjust the duration of your media files without affecting their quality.
It has some advanced features, such as HDR support, ambisonic audio support, Hybrid LOG Gamma support, etc. that enhance the quality and compatibility of your media files.
Cons of Adobe Media Encoder CC 2019
It requires a lot of system resources and disk space to run smoothly.
It may have some compatibility issues with some media formats or devices.
It may have some bugs or errors that affect its performance or functionality.
It may take a long time to encode large or complex media files.
It may not have some features or options that are available in other media encoding software.
These pros and cons may vary depending on your system specifications, preferences, and expectations. You may also find some workarounds or solutions for some of the cons by searching online or contacting the customer support.
Comparison with other media encoding software
Adobe Media Encoder CC 2019 is not the only media encoding software available in the market. There are other alternatives that you can try, such as HandBrake, FFmpeg, VLC Media Player, etc. Here is a brief comparison of Adobe Media Encoder CC 2019 with some of these software:
Adobe Media Encoder CC 2019 vs HandBrake
HandBrake is a free and open-source media encoding software that can convert video and audio files from any format to a selection of modern and widely supported codecs. It is available for Windows, Mac, and Linux platforms. Some of the features of HandBrake are:
Supports most common video and audio formats as input and output.
Allows you to adjust various encoding parameters, such as bitrate, quality, frame rate, resolution, etc.
Offers built-in presets for various devices and platforms.
Supports batch processing and queue management.
Supports subtitles and chapter markers.
Supports hardware acceleration for faster encoding.
Some of the advantages of HandBrake over Adobe Media Encoder CC 2019 are:
It is free and open-source, which means you can use it without any cost or license restrictions.
It is lightweight and easy to use, which means you can run it on any system with minimal requirements.
It has a large and active community of users and developers, which means you can get help and support easily.
Some of the disadvantages of HandBrake compared to Adobe Media Encoder CC 2019 are:
It has fewer features and options than Adobe Media Encoder CC 2019, which means you may not be able to achieve the same level of quality and compatibility for your media files.
It does not integrate with other Adobe applications, which means you cannot use it as part of your media processing workflow with Premiere Pro CC, After Effects CC, etc.
It does not support some advanced features, such as HDR support, ambisonic audio support, Hybrid LOG Gamma support, etc. that Adobe Media Encoder CC 2019 offers.
Adobe Media Encoder CC 2019 vs FFmpeg
FFmpeg is a free and open-source media encoding software that can encode, decode, transcode, mux, demux, stream, filter, and play any type of media file. It is available for Windows, Mac, Linux, and other platforms. It is mainly used as a command-line tool, but there are also some graphical user interfaces (GUIs) that use FFmpeg as their backend. Some of the features of FFmpeg are:
Supports almost all video and audio formats as input and output.
Allows you to adjust any encoding parameter imaginable, such as codec, bitrate, quality, frame rate, resolution, etc.
Offers a variety of filters and effe